Choreographer Busby Berkeley’s Contributions to Film Essays -- Arts Mo

Choreographer Busby Berkeleys Contributions to FilmBerkeleys creations were non meant to focus on dance. He en visi whizd an overall moving pattern, which he created by development moving bodies. He made the art of choreography a technique of design and visual mathematics, and combined this with his knowledge of film to bring his vision to life on the big screen. The skill of this multi-talented man brought Hollywood practice of medicineals to their mount potential, creating a high demand for dance in films.William Berkeley Enos was born November 29, 1895, in Los Angeles. He began his career as a choreographer in 1918 as a lieutenant in the army. Conducting and directing parades. He gained the ability to work with tremendous masses of moving bodies to create a moving picture. He excessively worked as a choreographer to stage camp shows for the troops. It was not until his collaboration with maker Florence Ziegfeld that Berkeley began choreographing for films. When Ziegfeld de cided to turn his production of Whoopee into a film, he asked Berkeley, who had become one of the top Broadway dance directors, to choreograph the dance routines. Berkeley, unhappy with the restrictions of his job, raised the blackball for film choreographers by taking on decisions about camera angles and editing. beforehand Berkeley, these decisions had all been made by the director or the producer. One of Berkeleys signature choices was to utilize only one camera. He as well as chose to use close-ups of the dancers in the chorus. He would say Well, weve got all these beautiful girls in the picture, why not let the public see them? This approach showed that Berkeley understood that innovational filmmakers possess the ability to use the camera to show audiences what their normal plug does ... ... 1976.Although his death was tragic, Busby Berkeley will be remembered for his visionary talent. He has also been considered the creator of the formulaic marketing approaches you see today in music videos. As Larry Billman points out,Berkeleys ever-unfolding kaleidoscopic patterns and complete montage/ scenarios certainly had commercialized advantage (15). Berkeley embraced the possibility that the relationship between a camera and a moving body could bring a song to life. After his unreasonable musical numbers, there was no doubt that the entire audience would extend the theater knowing the songs by heart.And so Berkeley was way ahead of his time. He could see within film a very important image, not the individual dancers themselves, but the dancing image. And with that he created sequences that remain some of the close to beautiful spectacles on the screen.